Moody Amphitheater: A Premier Venue in Austin, Texas
Located in the vibrant city of Austin, Texas, the Moody Amphitheater is a premier outdoor venue that has become a cornerstone of the local entertainment scene. Nestled within the scenic landscape of the 50-acre Waterloo Park, this state-of-the-art amphitheater offers an unparalleled experience for concert-goers and event attendees alike.
Originally known as the "Waterloo Park Amphitheater," the venue underwent significant renovations and rebranding, officially reopening as the Moody Amphitheater in 2021. This transformation has allowed it to host a diverse array of events, from concerts and festivals to community gatherings and cultural performances.
The Moody Amphitheater boasts a seating capacity of approximately 5,000, with a variety of seating arrangements designed to enhance the audience's experience. The venue features both reserved seating and general admission options, allowing attendees to choose their preferred viewing experience. For those seeking the best seats, the front rows offer an intimate view of performances, while elevated sections provide a broader perspective of the stage.
As a seasonal venue, the Moody Amphitheater typically hosts events from spring through fall, taking advantage of Austin's mild weather. The amphitheater is renowned for attracting top-tier artists and bands across various genres, making it a must-visit destination for music lovers. Past performances have included renowned acts such as The National, Leon Bridges, and many more.
Parking at the Moody Amphitheater is convenient, with several nearby parking areas available for attendees. It is advisable to arrive early to secure parking and avoid congestion. Additionally, utilizing rideshare services can be a hassle-free alternative for those looking to enjoy events without the stress of parking.
Moody Amphitheater Flash News
Austin Blues Festival Announces 2026 Lineup
The Austin Blues Festival has unveiled its musical lineup for the fifth annual event, set to take place at Moody Amphitheater in Waterloo Park, Austin, Texas, on April 25-26, 2026. Co-presented by Antone's Nightclub and the Waterloo Greenway Conservancy, the festival will showcase a diverse array of artists, including Parliament Funkadelic featuring George Clinton, BADBADNOTGOOD, Adrian Quesada's Boleros Psicodlicos, Eric Johnson, and Larkin Poe. Additional performers include The War and Treaty, Chaparelle, Los Amigos Invisibles, D.K. Harrell, Annie & The Caldwells, Huston-Tillotson Jazz Orchestra, and Pinettes Brass Band & New Breed Brass Band. More acts will be announced leading up to the event. The festival celebrates Austin's rich musical heritage and its vibrant arts scene, particularly honoring the blues genre through both legendary and emerging talents. Organizers express excitement about the festival's ability to unite music lovers and introduce new audiences to a unique lineup that reflects the depth and evolution of contemporary music.
Moody Amphitheater Customers Reviews
Ryan Bingham & the Dead Horses were FABULOUS!!!
Ryan Bingham & the Dead Horses were awesome, as usual. The venue was small and VERY personal. It was standing room only, so people who got there later were upset that they were standing in the back and tried to weasel their way to the front. I was one of the first to arrive, so I stood touching the stage right in front of Ryan Bingham. The sound quality was fabulous and of course I could see just fine. Every member of the band is phenomenal, so the show was fantastic and impressive. I enjoyed the personal nature of the concert, even though, as a musician, I understand that having such little room to set up equipment and such can be a beating. Overall, I was totally pleased with the show.
A Frustrating Evening With Ryan Bingham
Ryan Bingham's Webster Hall show started out well enough with a fine set by opener The White Buffalo. Playing solo, his songs ranged from dark murder ballads based in the American West alternating with sensitive love songs, all delivered with real passion.
After a short break Ryan Bingham and his band opened with his new single (?). He seems to be reconstructing himself as a big rock star these days - the sound was high on volume and Webster Hall's smoke machines were pumping away creating the usual foggy din with lights shining down through them.
This writer has no problem with high volume concerts. The big issue was a bass guitar mixed WAY too high in the sound. Bingham, the band and the soundman all seemed aware of it but couldn't get it under control. After 4 or 5 visits from the soundman I think he gave up. One would think that Bingham would take the time to remedy the problem - maybe play a solo song so the bass player and soundman could work it out. But no - he plowed through the set with he and his band sounding like a back up band for the bass player with the sound throbbed away.
Bingham returned for an encore (the bass suddenly sounding better ) and proceeded to have a temper tantrum about only having 13 minutes left for his encore... calling the staff motherf*ckers, etc. Then gave us the 13 minutes of more music.
Luckily the night was young - we were out of there a little past 10:00 giving us a few hours to forget about what we just heard. The White Buffalo was great though and saved the night from complete failure.